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Theme 5: The Silk Road sky

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Image of the Almanac with year gods   Image of the Khotanese animal zodiac
Almanac with year gods
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  Khotanese animal zodiac
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Image of a Star chart   Image of Tejaprabha Buddha and the five planets
Star chart
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  Tejaprabha Buddha and the five planets
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Printed almanac - Chinese (detail)    
Printed almanac - Chinese (detail)
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While the landscape of the Silk Road changed dramatically, the stars in the sky were the same for travellers on the shores of the Mediterranean to those in Dunhuang. The main trade routes lie mainly between 30º and 40º latitude in the northern hemisphere and thus knowledge and myths associated with the heavenly bodies were largely portable from one culture to another. So Babylonian ideas had probably been integrated into Chinese knowledge by the 6th century BC, and Greek ideas merged with India ones, both also moving on to China. Knowledge of the stars continued to move along the Silk Road, especially from the Arabs towards the end of the first millennium AD.

Court astronomers of ancient China were just as concerned with astrology as with astronomy; the two were not distinguished at the time. This did not mean that their astronomical knowledge was not accurate. A manuscript star chart from Dunhuang probably dating from the early seventh century accurately portrays 1345 stars.

By the sixth and seventh century China the stars were part of a complex group of beliefs which ranged from lucky and unlucky days, fengshui, the power of talismans, the predicative power of heavenly signs, to the zodiacal animals. Privately produced almanacs of the time included all these elements and were enormously popular, despite the fact that the making of calendars was strictly reserved for the imperial astronomers.

The five planets visible to the naked eye were known to Chinese astronomers and were each associated with one of the five elements of Chinese tradition (water, metal, fire, wood, earth). Each also took a specific anthropoid form when it revealed itself in the human world. The Indian Buddhist pantheon included seven planetary divinities (including the sun and the moon) corresponding to the seven-day week and, in addition, the two dragons of the eclipses, Ketu and Rahu, making the 'Nine Luminaries' (Navagrabha). Each was associated with a region of the sky and a bodhisattva. These traditions are seen in Buddhist paintings along the Silk Road.

By the eighth century in China each year was associated with one of the 12 animals (rat, ox, tiger, hare, dragon, serpent, horse, goat/sheep, monkey, cock, dog, boar/pig) and five elements so forming a 60-year cycle. The animal cycle was not a traditional Chinese belief but travelled along the Silk Road and had taken root in China by the Tang period. The monkey, an animal which features prominently in pre- and post-Buddhist Indian myths, became popular in China and particularly associated with the Silk Road following his inclusion in the fictionalised tale of Xuanzang's journey to India. The same animal cycle was well established in Central Asia. It was used in Khotanese, Sogdian, Buddhist Sanskrit, Tocharian, Gandhari and Turkic as well as Chinese.

 
 
 
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The Silk Road
The Silk Road
Themes
Themes
The invention of printing
The invention of printing
The Eastern Silk Road
The Eastern Silk Road
Buddhas & bodhisattvas
Buddhas & bodhisattvas
Play on the Silk Road
Play on the Silk Road
The Silk Road Sky
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Map
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Learning
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